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Ida Adams : ウィキペディア英語版
Ida Adams

Ida Adams (''c.'' 1888 – November 4, 1960), sometimes credited as Ida M. Adams,〔The New York ''Commercial Register'' for 1919–1920 listed her as "Adams Ida M. (Miss), 140 W. 55th. Actress."''The Commercial Register'' (Retail Dealers' Protective Association, 1920), p. 5〕 was an American-born actress and singer who worked chiefly in musical theatre.
Her career from 1909 to 1914 was in the United States, then in London's West End from 1915 to 1917. Adams also wrote the story on which the silent film ''Limousine Life'' (1918) starring Olive Thomas was based.
==Life==
Adams's third appearance on stage was at the Knickerbocker Theatre on Broadway on April 27, 1909, playing Miss Glick in ''The Candy Shop''. Later that year, she toured in ''Three Twins'', as Summer Girl and Boo Hoo Tee Hee Girl. In 1911 she was Desirée in the musical ''The Pink Lady'' at the New Amsterdam Theatre, after which she went on tour with the show. She was next in Florenz Ziegfeld's ''A Winsome Widow'' (1912), at the Moulin Rouge, in New York, playing the role of Tony. From October 1912 she appeared in the ''Ziegfeld Follies of 1912'', which ran until January 1913.〔'Adams, Ida', in ''Who Was Who in the Theatre, 1912-1976: a biographical dictionary'' (vol. 1, Gale Research Co., Detroit, 1978), p. 9〕〔Ruth Benjamin, Arthur Rosenblatt, ''Who Sang What on Broadway, 1866-1996: The Singers (A-K)'' (McFarland & Co., Publishers, 2006), p. 7〕
After ''Ziegfeld Follies'', Adams moved to London, playing at the London Hippodrome in 1915, appearing the next year in the revue ''Half-Past Eight'' at the Comedy Theatre, and then in Charles B. Cochran's ''Houp La!'' (1916) at the St Martin's Theatre. She recorded two songs from ''Houp La!'' for the His Master's Voice label at the Gramophone Company's studios at Hayes, Middlesex, on 11 January 1917: The first of these was "Oh! How She Could Yacki Hacki Wicki Wacki Woo," accompanied by a female choir and the St Martin's Theatre Orchestra,〔Kurt Gänzl, ''British Musical Theatre'' vol. 2 (Oxford University Press, 1986), p. 1153: 'Wonderful Girl, Wonderful Boy, Wonderful Time' (Gertie Millar, Ida Adams, Nat D. Ayer) HMV 04193 (1917)... 'Oh! How She Could Yacki Hacki Wicki Wacki Woo' (Ida Adams w. chorus) HMV 03542 (1917)"〕〔''The Sketch'', vol. 96 (1916), p. 232: "Miss Ida Adams as Ada Eve, a Dancer, sings... "Wonderful Boy, Wonderful Time," and she also sings a song with the curious title of "Oh! How She Could Yacki Hacki Wicki Wacki Woo"〕 while the second was Paul Rubens's "Wonderful Girl, Wonderful Boy, Wonderful Time", sung as a trio with Gertie Millar and Nat Ayer.〔
Cochran later recalled that Binnie Hale had "got her first chance" in ''Houp-La!'' as Adams's understudy, but that she had a "harassing debut" because Adams, having insisted on paying for her own clothes, had also stipulated that no understudy should wear them.〔C. B. Cochran, ''The Secrets of a Showman'' (1925), p. 226〕 In 1977, a member of the ''Houp La!'' cast from 1916 recalled in ''The Listener'':
Adams's last known theatrical appearance was as Jane Gerson in the play ''Inside the Lines'' (1917), which had a long run at the Apollo Theatre, London.〔 ''The Sketch'' said of ''Inside the Lines'' "The charm and beauty of Miss Ida Adams are very attractive features of a remarkable and topically interesting production, in which also appear Miss Grace Lane, Mr. Eille Norwood, Mr. Frederick Ross, Mr. E. Dagnall, and other well-players."〔'From "Houp-La!" to "Inside the Lines"' in ''The Sketch'', vol. 98 (1917), p. 181〕
The next year, Adams was credited as the writer of the story on which the silent film ''Limousine Life'' was based. The film, starring Olive Thomas, tells the story of a woman who extracts a limousine and a large sum of money from the man she is engaged to marry, in return for agreeing to break the engagement, and promptly marries another man.〔Michelle Vogel, ''Olive Thomas: the life and death of a silent film beauty'' (2007), pp. 162-163〕
Adams died on November 4, 1960, aged seventy-two.〔Freda Gaye & John Parker, ''Who's Who in the Theatre: a biographical record'' (Pitman Publishing Corporation, 1967), p. 1583〕

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